пятница, 21 августа 2015 г.


Atom™ and Burnt Friedman release a new Flanger album October 16th 2015
Flanger, Album Discography 1999-2005:
1999 Templates (ninja tune/ntone)
2000 Midnight Sound (ninja tune/ntone)
2001 Inner Space/Outer Space (ninja tune)
2005 Spirituals (nonplace)
2007 Nuclear Jazz (Templates, Midnight Sound) (nonplace)
2011 Bibliotheque Pascal soundtrack (nonplace) , Film by Szabolcs Haidu, Hungary
2015 Lollopy Dripper (nonplace)
“There´s a degree of nimble intelligence and wayward non-utilarian playfulness/adventure from both Schmidt and Friedman that gives Flanger a totally unique spin.” (Real Groove, NZ 2005)
“The most compelling, intricate and witty electronic collaborative utterings to date. This is light years ahead of what anyone else is doing.” (footloose magazine, U.K.1999)
“Tracks on Templates function as sonic time tunnels.” (The Wire, U.K.1999)
“Heaven on plastic for jazzniks and avantgardists.” (Update, 1999)
“Jazz tipped on its head, taking it to places other producers haven´t dreamt about yet.” (DJ, 1999)
“Breaking down the barriers that exist between the electronic and the acoustic.” (What´s On, 1999)
“(…) makes almost everyone else look 20th century in their music making.” (The Wire, 2000)
“The perfect soundtrack to 21 century horizontal dancing.” (Jockey Slut, U.K.2000 )
“This is lightyears ahead of what anyone else is doing.” (footloose magazine 1999)
“Future Glitch Jazz of the highest order.” (bpm magazine, U.S.2007)
“Flanger’s Templates (…) was regarded as a milestone for electronica, in that it took some well-worn jazz tropes and demolished them with an album full coruscating wit and playful invention.” (Sonic Futures, N.Z.2007)
Flanger is
Atom™ is one of the most prolific contemporary electronic musicians of our era, with over 200 releases produced under a dizzying array of aliases. Producing and releasing music since 1990, he is considered to be responsable for the one or another fusion of musical styles, triggering entire sub-genres of electronic music such as “glitch-pop” (album “Pop Artificielle”, 1999) or, perhaps his most well known and celebrated project is Señor Coconut, of “Cha cha cha” Kraftwerk cover fame, which initiated the “Electrolatino” movement in 2001. As producer, remixer and collaborator he was worked with and for musicians such as Ryuichi Sakamoto, Towa Tei, Yellow Magic Orchestra, Depeche Mode, Tom Tom Club, Bill Laswell, just to name a few. Pushing the envelope since more than two decades he keeps producing, releasing and performing electronic music, last with his “HD” album and the related audio-visual live show.
Burnt Friedman
Burnt Friedman is one of Germany’s most long established and highly rated electronic musician with a career spanning almost 40 years. He was born in Coburg, Germany in 1965 and has lived in Berlin since 2009. After initially being a student of art in Kassel in northern Germany, Burnt started to focus on music exclusively from the late 1980s onwards. He went on to attend the Academy of Media Arts in Cologne as a postgraduate student and began to publish his musical works along with his studio productions in 1979. He also began performing live around the same time, both of which soon attracted the attention of the Cologne electronic music scene. From there he progressed to various notable music collaborations throughout the 1990s on projects with the likes of Can´s drummer Jaki Liebezeit, Hayden Chisholm, Root70, Steve Jansen and David Sylvian.
In 2000 Friedman launched his own record label, Nonplace, with 41 releases to date. His studio and on-stage partnership with Can drummer Jaki Liebezeit, now dates back 15 years; the two musicians have developed pioneering electronic-acoustic music, so called “Secret Rhythms”.

пятница, 17 июля 2015 г.

The New Law - Jiri | Single

This track samples a few songs, but it's inspired by a street musician in Prague named Jiri Wehle. He plays the hurdy gurdy and sings epic Czech folk songs. Go buy his music.


Czech lyric translation to English:
"You who loved me, I am here and you are there. I on the earth, you in the realm of Hades, where Persefone has her temple. You who loved me, I am here and you are there. I on the earth, you in the realm of Hades, where Persefone has a temple of heart."

released 11 June 2012
Song Recorded and Produced by THE NEW LAW (Adam Straney & Justin Neff)

Mastered by Adam Straney at BreakPoint Mastering (breakpointmastering.com)

Sampled Songs:
Jiri Wehle - "Pisen pro Barsinu"
4 Strings - "Take Me Away"
Styx - "Mr. Roboto"

Cover Artwork: Dave Organ (aka "Soulatech" - www.soulatech.com )

Download Single FREE: bandcamp.com

The New Law - The Fifty Year Storm | Album

This is the third chapter of the unknown hero, THE NEW LAW, who is leaving the barren waste after the battle at "High Noon". He joins some fellow fighters who venture out to sea, to escape certain death of the old land, and they sail forth to explore new worlds. He gradually learns the way of the sea through the rolling waves of the journey, but on the red horizon ahead, there's something brewing: something dark and sinister... and he's unwillingly heading straight into the storm of it.

"The New Law's 'The Fifty Year Storm' continues where "High Noon" left off. It's a beautiful, cinematic soundscape of warm electronics and chill horns that makes up the perfect soundtrack for the new year." - John Richards (KEXP, The Morning Show)

"THE NEW LAW - The Fifty Year Storm gets a "five"... it's "DJ Shadow meets Ennio Morricone in a post-apocalyptic wasteland and they kick some ass together and we get to watch". 5 out of 5, - Trippin the Rift

"This album takes you on a gorgeous and exciting adventure where action and crisis stand off against one another. A majestic album. " - Earmilk.com (Top Albums of 2012 So Far)

"Full of magnificently widescreen compositions blessed with a dazzlingly diverse instrumental palette." Dave Segal, 'Data Breaker', The Stranger

"The Fifty Year Storm is one of the best instrumental hip-hop albums that I have heard in quite some time... The Fifty Year Storm is hard for me to not listen to every day" - Innovative Music Blog

"An epic, wide-screen, and unapologetically dense blend of hip-hop-&-trip-hop that's laced with seething breakbeats and a web of samples and acoustic and synthetic sounds." - Textura Review


released 01 January 2012

Album written and recorded by THE NEW LAW (Adam Straney and Justin Neff).
Album Produced by Adam Straney.

With Additional Credits:

Trumpet and Guitar by Peter Jordan on "I've Seen Some Mean Faces"

A couple drum hits by Steven Straney on "Into the Clouds"

You may download the album for free, just click BUY NOW and "Name Your Price" € 0 Download Album: bandcamp.com

The New Law - High Noon | Album

An epic journey of deep, chest-pounding hip hop and broken beats layered with hypnotic soundscapes and mind-warping synths that create a beautiful balance of dirt and space.

"One of the best albums from the underground I've ever gotten."
- Kaska Paluch (editor-in-chief - www.80bpm.net)

"One the best and biggest surprises for me this year was The New Law's releases...beautiful, emotional, cinematic... Its near perfect"
- John Richards (The Morning Show, KEXP 90.3FM)

"The New Law sounds like moody, atmospheric, largely instrumental trip-hop genius."
- Ethan Georgi (properlychilled.com)

"This duo is versatile as can be. Ambient is a word that’s thrown around a lot. The New Law has proven that they know the meaning.”
- Dan Vidal (Urb Magazine)

"Deftly arranged, orchestrally inclined hip hop that evokes Ninja Tune's glory years and Portishead's doomed-romance aura."
- Dave Segal (The Stranger)

You may download the album for free, just click BUY NOW and "Name Your Price" € 0 Download Album: bandcamp.com

The New Law - The New Law | Album

You may download the album for free, just click BUY NOW and "Name Your Price" € 0 Download Album: bandcamp.com

среда, 8 июля 2015 г.

D.V.S* - Comfort Zone | Album

Loci Records is pleased to release an 8 track project titled “Comfort Zone” from Austin, TX based electronic composer D.V.S*,  out now!  You can stream the release in full via Live For Live Music, and you can download he project on Bandcamp, which includes an exclusive D.V.S* remix of Emancipator’s “Merlion”.

Produced, composed and performed by Derek VanScoten in Brooklyn, NY and Austin, TX.
Cover art by Kyle Buckland (@KBucklandPhoto)
Mastered by John Burcham
Special thanks to Emancipator for believing in these tunes.
more info and D.V.S* tour dates at www.dvsmusic.com

Emancipator - Dusk To Dawn Remixes | Album

Watermark - Drop | EP

Nowy projekt Marcina Cichego ze Skalpela.

Mimo, że Igor Pudło i Marcin Cichy wrócili do wspólnego tworzenia pod szyldem Skalpel, obaj producenci nie zaniechali autorskiej twórczości. Najnowszym tego przykładem jest projekt Watermark, który właśnie zadebiutował EP-ką zatytulowaną „Drop”.
W minimalistycznie opakowanej kopercie z wyciętym kształtem kropli znajdujemy płytę z czterema nagraniami, układającymi się w ponad dwudziestominutową suitę. Otwierający zestaw „I” osadzony jest na wolnym rytmie perkusji, który wnosi melodyjne dźwięki klawiszy zanurzone w ambientowym tle. „II” ma bardziej oszczędny ton – koncentrując się na wolno płynących smugach onirycznych dźwięków.

You may download the album for free, just click BUY NOW and "Name Your Price" € 0 Download Album: bandcamp.com